Taleb's writing style is essayistic, mixing illustrative anecdotes and personal details with points of argument. Taleb describes his books as "expressed in the form of a personal essay with autobiographical sections, stories, parables, and philosophical, historical, and scientific discussions", while leaving the technical material to a separate text.   This is similar to Montaigne essays . This style has not gratified everyone. Mathematics professor David Aldous argued that "Taleb is sensible (going on prescient) in his discussion of financial markets and in some of his general philosophical thought, but tends toward irrelevance or ridiculous exaggeration otherwise."  Gregg Easterbrook wrote a critical review of The Black Swan in the New York Times  to which Taleb replied with a list of logical errors, blaming Easterbrook for not having read the book.  Giles Foden , writing for The Guardian in 2007, described the book as insightful, but facetiously written, saying that Nassim's "dumbed-down" style was a central problem, especially in comparison to Taleb's Fooled by Randomness . 
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To extend his theory that rationality consisted of scientific research and methodology alone, Popper loosened his standard of rationality. Rejecting the older standard of rationality -- proof - - as too high, he began to view the standard for science, refutability, as too high for the rationality that obtains outside science. Whereas earlier he had replaced justification with refutation, he now replaced refutation with criticism. Popper thereby created a new philosophical perspective by generalizing his theory of scientific research. The name he gave to this extension is “critical rationalism.” Popper introduced it in the introduction to his Conjectures and Refutations , where he characterized it briefly as the critical attitude. He used it also to describe views he developed earlier, in The Open Society and Its Enemies .