Joseph Heller’s World War II novel Catch-22 is a great example of satire. Joseph Heller had flown bomber missions in WWII, just like his main character Captain John Yossarian, and was tortured by the experience. He found the wartime bureaucracy and logic to be incredibly hypocritical. The most famous example of satire in the book comes from the title, the concept of the Catch 22. This is one of those bureaucratic nightmares in which something can only be done when the thing that precludes it from happening happens. Yossarian eventually discovers that the catch doesn’t even exist, but because everything thinks it does it still has the same effect. And, unfortunately, because it doesn’t exist it can’t be repealed. This is a good metaphor for the entire lack of logic in bureaucracy.
late 14c., "work intended to ridicule vice or folly," from Middle French satire (14c.) and directly from Latin satira "satire, poetic medley," earlier satura , in lanx satura "mixed dish, dish filled with various kinds of fruit," literally "full dish," from fem. of satur "sated" (see saturate ).
First used in the literary sense in Latin in reference to a collection of poems in various meters on a variety of subjects by the late republican Roman poet Ennius. The matter of the little that survives of his verse does not seem to be particularly satiric, but in classical Latin the word came to mean especially a poem which assailed the prevailing vices, one after another. Altered in Latin by influence of Greek satyr , on mistaken notion that the literary form is related to the Greek satyr drama (see satyr ). Satire , n . An obsolete kind of literary composition in which the vices and follies of the author's enemies were expounded with imperfect tenderness. In this country satire never had more than a sickly and uncertain existence, for the soul of it is wit, wherein we are dolefully deficient, the humor that we mistake for it, like all humor, being tolerant and sympathetic. Moreover, although Americans are 'endowed by their Creator' with abundant vice and folly, it is not generally known that these are reprehensible qualities, wherefore the satirist is popularly regarded as a sour-spirited knave, and his every victim's outcry for codefendants evokes a national assent. [Ambrose Bierce, "Devil's Dictionary," 1911]
Proper satire is distinguished, by the generality of the reflections, from a lampoon which is aimed against a particular person, but they are too frequently confounded. [Johnson]
[I]n whatever department of human expression, wherever there is objective truth there is satire [Wyndham Lewis, "Rude Assignment," 1950] For nuances of usage, see humor (n.).